September22014

laurbz:

whoinwhoville:

allabitofablur:

gallifrey-feels:

becauseofdoctorwho:

inowpronounceyouratandbow:

thesometimeswarrior:

evansy:

Done.

#IF RORY WILLIAMS WAS ALIVE DURING WORLD WAR II THE WAR WOULD PROBABLY HAVE ENDED SOONER

but he was:
 image

Twice

image

So can we talk about the fact that that means there were 3 Rory’s in the world at the same time?

Lucky Amy

lucky world

That last gif just made my life

(Source: peterquill, via beastmod3r)

3PM

professorfangirl:

ultimateventist:

charlesoberonn:

If something is ‘old as fuck’ then it’s about 1.2 billion years old because that’s when life evolved sexual reproduction.

 

However, if something is “old as balls” it’s only about 65 million years old, when placental mammals began to evolve proper testicles.

(via beastmod3r)

2PM
my-tardis-sense-is-tingling:

jammygummy:

thedoctor-just-the-doctor:

obsessedobsesser:

whereisyourangel:

farbenfrei:

it makes it sad but beautiful that there are all names of his companions 

WHaT

what

WHAT

Susan, Barbara, Ian, Ben, Polly, Vicky, Jamie, Zoe, Liz, Jo, Sarah Jane, Leela, K9, Romana, Adric, Tegan, Nyssa, Peri, Mel, Ace, Grace, Rose, Jack, Mickey, Martha, Donna, Wilf, Amy, Rory, and Clara

i’m not crying i just have some doctor who in my eye

my-tardis-sense-is-tingling:

jammygummy:

thedoctor-just-the-doctor:

obsessedobsesser:

whereisyourangel:

farbenfrei:

it makes it sad but beautiful that there are all names of his companions 

WHaT

what

WHAT

Susan, Barbara, Ian, Ben, Polly, Vicky, Jamie, Zoe, Liz, Jo, Sarah Jane, Leela, K9, Romana, Adric, Tegan, Nyssa, Peri, Mel, Ace, Grace, Rose, Jack, Mickey, Martha, Donna, Wilf, Amy, Rory, and Clara

i’m not crying i just have some doctor who in my eye

(Source: henrytudors, via acciotardistohogwarts)

2PM
fishingboatproceeds:

sarazarr:

weneeddiversebooks:

Read This: Gene Luen Yang’s rousing comics speech at the 2014 National Book Festival gala
From the Washington Post, article here.
GENE LUEN YANG, Library of Congress, Jefferson Building:
Good evening. Thank you, Library of Congress and National Book Festival, for inviting me to share the stage with such esteemed authors, and to speak with all of you. I am deeply grateful for this honor.
I’m a comic-book guy, so tonight I’d like to talk about another comic book guy. Dwayne McDuffie was one of my favorite writers. When I was growing up, he was one of the few African-Americans working in American comics. Dwayne worked primarily within the superhero genre. He got his start at Marvel Comics but eventually worked for almost every comic book publisher out there. He even branched out into television and wrote for popular cartoon series like “Justice League” and “Ben 10.”
Dwayne McDuffie
Dwayne McDuffie is no longer with us, unfortunately. He passed away in 2011, at the age of 49. But within comics, his influence is still deeply felt.
I was lucky enough to have met him once. About a year before his death, we were on a panel together at Comic-Con. I had the opportunity to shake his hand and tell him how much his work meant to me.
In a column Dwayne wrote in 1999, he talked about his love of the Black Panther, a Marvel Comics character. The Black Panther’s secret alias is T’Challa, the king of the fictional African nation of Wakanda. He has super senses, super strength, and super agility. He’s an Avenger, though he hasn’t yet made it into the movies.
The Black Panther wasn’t created by African American cartoonists. He was created in July of 1966 by two Jewish Americans, Stan Lee (who was born Stanley Lieber) and Jack Kirby (who was born Jacob Kurtzberg).
By modern standards, the Black Panther is not a flawless example of a black superhero. In their first draft of the character, Lee and Kirby called him “the Coal Tiger” and gave him a goofy yellow and black costume. Even in his final form, his superhero alias includes the word “Black.” This is true of many early African and African American superheroes, as if what makes them remarkable is neither their superpowers nor their heroism, but their ethnicity. Most problematic, though, was that Marvel made their most prominent black superhero the star of a series called Jungle Action.
All of these flaws were lost on Dwayne McDuffie when he first encountered the Black Panther in 1973, at the age of 11. What struck him was the character’s commanding sense of dignity. The Black Panther wasn’t anyone’s sidekick. He wasn’t an angry thug. He wasn’t a victim. He was his own hero, his own man. As Dwayne describes it, “In the space of 15 pages, black people moved from invisible to inevitable.”
Dwayne’s love of the Black Panther eventually blossomed into a love of comics in general. Dwayne was a smart guy with a lot of options in life. He’d earned a master’s degree in physics. But he chose to write comics as his career. I would argue that without the Black Panther, this flawed black character created by a writer and an artist who were not black, there would be no Dwayne McDuffie the comic book writer.
Dwayne wasn’t just a writer — he was also a businessman. In the early ’90s, he teamed with a group of writers and artists to found Milestone Media, the most prominent minority-owned comic book company that has ever existed. The Milestone universe have since been folded into DC Comics, so these days characters like Static Shock and Icon – characters Dwayne co-created – fight crime alongside Superman and Batman.
In the early ’90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called Xombi, published by Milestone Media. Xombi is a scientist who became a superhero after he was injected with nanotechnology. He allied himself with a secret order of superpowered nuns. One sister was known as Nun of the Above, another Nun the Less. Together, they protected the world from all kinds of supernatural threats.
Xombi was inventive and fun, but he stood out to me because he was an Asian American male carrying in his own monthly title. And even more notable – he didn’t know Kung Fu. Xombi wasn’t created by Asian Americans – his writer was white and his artist black – but he did make Asian Americans a little less invisible.
We in the book community are in the middle of a sustained conversation about diversity. We talk about our need for diverse books with diverse characters written by diverse writers. I wholeheartedly agree.
But I have noticed an undercurrent of fear in many of our discussions. We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say.
This fear can be a good thing if it drives us to do our homework, to be meticulous in our cultural research. But this fear crosses the line when we become so intimidated that we quietly make choices against stepping out of our own identities. After all, our job as writers is to step out of ourselves, and to encourage our readers to do the same.
I told you the story of Dwayne McDuffie to encourage all of us to be generous with ourselves and with one another. The Black Panther, despite his flaws, was able to inspire a young African American reader to become a writer.
We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it’s okay to get cultural details wrong in your first draft. It’s okay if stereotypes emerge. It just means that your experience is limited, that you’re human.
Just make sure you iron them out before the final draft. Make sure you do your homework. Make sure your early readers include people who are a part of the culture you’re writing about. Make sure your editor has the insider knowledge to help you out. If they don’t, consider hiring a freelance editor who does.
Also, it’s okay if stereotypes emerge in the first drafts of your colleagues. Correct them – definitely correct them – but do so in a spirit of generosity. Remember how soul-wrenching the act of writing is, how much courage it took for that writer to put words down on a page.
And let’s say you do your best. You put in all the effort you can. But then when your book comes out, the Internet gets angry. You slowly realize that, for once, the Internet might be right. You made a cultural misstep. If this happens, take comfort in the fact that even flawed characters can inspire. Apologize if necessary, resolve do better, and move on.
Let your fear drive you to do your homework. But no matter what, don’t ever let your fear stop you.

I have long had a bit of a writer crush on Gene Yang, for he is awesome in so many ways.

Ditto. What a speech.

fishingboatproceeds:

sarazarr:

weneeddiversebooks:

Read This: Gene Luen Yang’s rousing comics speech at the 2014 National Book Festival gala

From the Washington Post, article here.

GENE LUEN YANG, Library of Congress, Jefferson Building:

Good evening. Thank you, Library of Congress and National Book Festival, for inviting me to share the stage with such esteemed authors, and to speak with all of you. I am deeply grateful for this honor.

I’m a comic-book guy, so tonight I’d like to talk about another comic book guy. Dwayne McDuffie was one of my favorite writers. When I was growing up, he was one of the few African-Americans working in American comics. Dwayne worked primarily within the superhero genre. He got his start at Marvel Comics but eventually worked for almost every comic book publisher out there. He even branched out into television and wrote for popular cartoon series like “Justice League” and “Ben 10.”

Dwayne McDuffie is no longer with us, unfortunately. He passed away in 2011, at the age of 49. But within comics, his influence is still deeply felt.

I was lucky enough to have met him once. About a year before his death, we were on a panel together at Comic-Con. I had the opportunity to shake his hand and tell him how much his work meant to me.

In a column Dwayne wrote in 1999, he talked about his love of the Black Panther, a Marvel Comics character. The Black Panther’s secret alias is T’Challa, the king of the fictional African nation of Wakanda. He has super senses, super strength, and super agility. He’s an Avenger, though he hasn’t yet made it into the movies.

The Black Panther wasn’t created by African American cartoonists. He was created in July of 1966 by two Jewish Americans, Stan Lee (who was born Stanley Lieber) and Jack Kirby (who was born Jacob Kurtzberg).

By modern standards, the Black Panther is not a flawless example of a black superhero. In their first draft of the character, Lee and Kirby called him “the Coal Tiger” and gave him a goofy yellow and black costume. Even in his final form, his superhero alias includes the word “Black.” This is true of many early African and African American superheroes, as if what makes them remarkable is neither their superpowers nor their heroism, but their ethnicity. Most problematic, though, was that Marvel made their most prominent black superhero the star of a series called Jungle Action.

All of these flaws were lost on Dwayne McDuffie when he first encountered the Black Panther in 1973, at the age of 11. What struck him was the character’s commanding sense of dignity. The Black Panther wasn’t anyone’s sidekick. He wasn’t an angry thug. He wasn’t a victim. He was his own hero, his own man. As Dwayne describes it, “In the space of 15 pages, black people moved from invisible to inevitable.”

Dwayne’s love of the Black Panther eventually blossomed into a love of comics in general. Dwayne was a smart guy with a lot of options in life. He’d earned a master’s degree in physics. But he chose to write comics as his career. I would argue that without the Black Panther, this flawed black character created by a writer and an artist who were not black, there would be no Dwayne McDuffie the comic book writer.

Dwayne wasn’t just a writer — he was also a businessman. In the early ’90s, he teamed with a group of writers and artists to found Milestone Media, the most prominent minority-owned comic book company that has ever existed. The Milestone universe have since been folded into DC Comics, so these days characters like Static Shock and Icon – characters Dwayne co-created – fight crime alongside Superman and Batman.

In the early ’90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called Xombi, published by Milestone Media. Xombi is a scientist who became a superhero after he was injected with nanotechnology. He allied himself with a secret order of superpowered nuns. One sister was known as Nun of the Above, another Nun the Less. Together, they protected the world from all kinds of supernatural threats.

Xombi was inventive and fun, but he stood out to me because he was an Asian American male carrying in his own monthly title. And even more notable – he didn’t know Kung Fu. Xombi wasn’t created by Asian Americans – his writer was white and his artist black – but he did make Asian Americans a little less invisible.

We in the book community are in the middle of a sustained conversation about diversity. We talk about our need for diverse books with diverse characters written by diverse writers. I wholeheartedly agree.

But I have noticed an undercurrent of fear in many of our discussions. We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say.

This fear can be a good thing if it drives us to do our homework, to be meticulous in our cultural research. But this fear crosses the line when we become so intimidated that we quietly make choices against stepping out of our own identities.
After all, our job as writers is to step out of ourselves, and to encourage our readers to do the same.

I told you the story of Dwayne McDuffie to encourage all of us to be generous with ourselves and with one another. The Black Panther, despite his flaws, was able to inspire a young African American reader to become a writer.

We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it’s okay to get cultural details wrong in your first draft. It’s okay if stereotypes emerge. It just means that your experience is limited, that you’re human.

Just make sure you iron them out before the final draft. Make sure you do your homework. Make sure your early readers include people who are a part of the culture you’re writing about. Make sure your editor has the insider knowledge to help you out. If they don’t, consider hiring a freelance editor who does.

Also, it’s okay if stereotypes emerge in the first drafts of your colleagues. Correct them – definitely correct them – but do so in a spirit of generosity. Remember how soul-wrenching the act of writing is, how much courage it took for that writer to put words down on a page.

And let’s say you do your best. You put in all the effort you can. But then when your book comes out, the Internet gets angry. You slowly realize that, for once, the Internet might be right. You made a cultural misstep. If this happens, take comfort in the fact that even flawed characters can inspire. Apologize if necessary, resolve do better, and move on.

Let your fear drive you to do your homework. But no matter what, don’t ever let your fear stop you.

I have long had a bit of a writer crush on Gene Yang, for he is awesome in so many ways.

Ditto. What a speech.

2PM

escapekit:

London Panoramics

Uk based photographer Julian Calverley recently spent 3 long days shooting panoramic back plates in London. Each final piece consists of 3 stitched 80 mpxl files, so the resulting images reveal a truly stunning level of detail.

(Source: behance.net, via acciotardistohogwarts)

September12014

whimsyandmayhem:

bigfatfeminist:

Natalia Kills ran her mouth today about how “All About That Bass” is a song that bullies and victimizes thin girls. I then ran my mouth about how that is a load of bullshit on a variety of levels. (x)

yes yes yes yes YES YES

(via sarahjgracias)

11PM

biscuitsarenice:

We Can’t Get Out Of The Bedroom Now.

Shirley Maclaine on Parkinson in 1975.

Michael Parkinson asked the actress Bette Davis a similar question in the same year here

(via classicmoviegal)

9PM

leo-arcana:

jetblueivy:

drive thru employeesimage definitely image do notimage get paidimage enoughimage forimage this image shitimage they are sick of your nonsenseimage

the last guy wasn’t even phased omg

(via benaddicted-to-cumberbatch)

9PM

sexadvicegoddess:

sarcasticlittlefuckk:

standard

I am crying I love this too much

(Source: brokenimagephotos, via iwontshaveforsherlockholmes)

9PM
sarahjgracias:

madlori:

jmathieson-fic:

mumblingsage:

decodethefallenmoon:

molokoko:

amazing

“Just so everyone is aware, there is a bunch of misleading info being spread around re: ALS research - the “27%” figure is based on previous years’ annual funding; furthermore, the remainder goes to improving the quality of life of those suffering from ALS. Given that the annual funding is approximately 16M, that’s just over 4M spent on decreasing their suffering. It isn’t greed, it’s a lack of money.”Shut up already.

The ALS Association has a 4-star rating from Charity Watchdog. 
And the next time you start to complain about a charity either a) working on multiple fronts (because that’s what ALSA does—both seeking a cure and helping people suffering now) or b) daring to have administration expenses—let’s see how long you can last, much less tackle a cause, without printer paper and an internet connection. 

As someone who has watched a family member die from a neuro-degenerative disease; funding to develop better wheelchairs and bedsore creams is *just* as important as funding research to cure the disease itself…

A friend of mine posted an update from one of HER friends to FB earlier.  Her dad has ALS.  The ALS foundation came out to see if they could put in a ramp for his wheelchair, but they couldn’t afford it because of the kind of ramp he needed for the kind of house they had.
This week they called back and said hey, the thing is, we suddenly have a bunch of money, so we’re coming out to build that ramp.  And they did.  She posted pics.
So if you feel like bitching about the ice bucket challenge…reconsider.

This is so so so important. ALSA doesn’t just research for a cure, they help the everyday lives of people living with ALS. I get really mad everytime I see people on facebook thinking that the people who run ALSA are getting a huge raise and that just isn’t true okay????

sarahjgracias:

madlori:

jmathieson-fic:

mumblingsage:

decodethefallenmoon:

molokoko:

amazing

Just so everyone is aware, there is a bunch of misleading info being spread around re: ALS research - the “27%” figure is based on previous years’ annual funding; furthermore, the remainder goes to improving the quality of life of those suffering from ALS. Given that the annual funding is approximately 16M, that’s just over 4M spent on decreasing their suffering. It isn’t greed, it’s a lack of money.”

Shut up already.

The ALS Association has a 4-star rating from Charity Watchdog. 

And the next time you start to complain about a charity either a) working on multiple fronts (because that’s what ALSA does—both seeking a cure and helping people suffering now) or b) daring to have administration expenses—let’s see how long you can last, much less tackle a cause, without printer paper and an internet connection. 

As someone who has watched a family member die from a neuro-degenerative disease; funding to develop better wheelchairs and bedsore creams is *just* as important as funding research to cure the disease itself…

A friend of mine posted an update from one of HER friends to FB earlier.  Her dad has ALS.  The ALS foundation came out to see if they could put in a ramp for his wheelchair, but they couldn’t afford it because of the kind of ramp he needed for the kind of house they had.

This week they called back and said hey, the thing is, we suddenly have a bunch of money, so we’re coming out to build that ramp.  And they did.  She posted pics.

So if you feel like bitching about the ice bucket challenge…reconsider.

This is so so so important. ALSA doesn’t just research for a cure, they help the everyday lives of people living with ALS. I get really mad everytime I see people on facebook thinking that the people who run ALSA are getting a huge raise and that just isn’t true okay????

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